From this marriage Michael's son was born. The first wife of the actor was Irina Andropova (daughter of Yuri Andropov). Mikhail Filippov considers the role of Major-General Bator in the painting "Crimson color of the snowfall," the actors and creators of which perfectly conveyed the atmosphere of the troubled life of Russia in the early 20th century, one of the brightest in his film career. But the actor himself considers himself more theatrical actor. Then he returned to the cinema and to date has played in more than 45 scenes. Gerasimov's painting "Red and Black".įor the next 6 years, Mikhail did not act in film, concentrating on the theater.
#SNOWFALL ACTORS MOVIE#
The debut in the movie took place in 1976, when Filippov appeared on the screen in the role of Mr. He dropped MSU and entered GITIS.Īfter graduation from the institute (1973), he was admitted to the Moscow Academic Theater. Then he accidentally got into the theater studio "Our Home", where he realized that he wanted to become an actor. For four years he studied at the Faculty of Moscow State University. Rostislav Batorsky was played by the Russian actor Mikhail Filippov.
Mikhail Filippov (role - Rostislav Batorsky) Now the actress has more than a dozen successful works in such films as "Voices", "Faith Try", "Heavenly Judgment" and others. Motyl later admitted, he did not regret that he took on the main role it was Daniel. Actors, including Daniela, were personally selected by the director himself. But the first landmark role in the big cinema was played by her in the film of Vladimir Motyl "The Crimson Color of Snowfall". Petersburg theaters immediately took the Serbian actress to their troupes. And with the work, too, everything was in order. But fate decreed that the northern capital of Russia became for her a city where she met her love and found her calling.ĭanielle's husband was Andrey Surotdinov, a violinist from the group "Aquarium". When in 1999 in the then Yugoslavia war came, the actress left for Russia to wait out troubled times. A few years later she moved to the Belgrade Drama Theater. After 5 years with a diploma in her hands, Daniela went to the People's Theater in one of the Serbian cities, where she was immediately accepted into the troupe. After receiving the certificate, Stojanovic went to Belgrade, entered the department of theatrical art of the Belgrade State University of Arts. She again changes her place of study, moving to a school with a theatrical bias. But time has shown that the girl's true vocation is acting. That's why, after graduating from 8 classes, Daniela was transferred to a mathematical gymnasium.
She studied well at school, but the best sciences were given her the exact sciences. She perfectly embodied on the screen the image of the daughter of a large industrialist Xenia Gerstel, who was left in the midst of World War I all alone. The main role in the film was played by the Serbian actress Daniela Stojanovic. Daniela Stojanovic (role - Ksenia Gerstel) The film "The Crimson Color of Snowfall": actors and roles. Everything was fine, until the revolution began. After the war the lovers settled in Petrograd. Again feeling the proximity of happiness, Xenia fell in love with Batorsky with all her heart. It was there that she became acquainted with the fifty-three-year-old Major General Rostislav Batorsky, who returns her faith in life and becomes her fiancé. Becoming a sister of mercy, she goes to the front to treat the wounded. Not knowing what to do next, Xenia decides to join the members of the Red Cross organization. And the bridegroom Sasha perishes at the front. A father, a wealthy successful industrialist, is killed by pogromists. She suddenly loses the closest and most loved people. The main character, called Xenia Gerstel, comes from Kiev. But this film also tells the story of love in the most difficult and hopeless times. One of the few such works is the last film directed by Vladimir Motyl "The Crimson Color of Snowfall." The actors embodied on the screen images of people caught at the turn of the century in the epicenter of military operations. Cinematography, both domestic and international, can not boast of a large number of paintings devoted to the First World War.
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